A quadruple-self-portrait examining the tenderness of conjured human intimacy as it relates to the solitude of gaming without Internet connection. In the front seat of a blue Toyota Sienna, the artist contains the laptop screen with a curved hand, both tenderly protecting a fleeting digital moment and completing a bodily cyclical narrative.

A quadruple-self-portrait examining the tenderness of conjured human intimacy as it relates to the solitude of gaming without Internet connection. In the front seat of a blue Toyota Sienna, the artist contains the laptop screen with a curved hand, both tenderly protecting a fleeting digital moment and completing a bodily cyclical narrative.

Marisha Lozada (b. 1994) is a Brooklyn-based artist and writer. Since earning her BFA from the Rhode Island School of Design, she has exhibited in New York, Philadelphia, Providence, and Italy. Recent selected projects include the 2018 Endless Editions Biennial, Asia Art Archive in America’s inaugural year of Leadership Camp, and Double Meeting, a collaboration with Orgy Park and Fjord Gallery. Her writings are featured in Bluestockings Magazine and Clerestory Journal of the Arts.

Collaborate, contact, and commission at: marishalozada@gmail.com

Full CV available upon request.

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