A quadruple-self-portrait examining the tenderness of conjured human intimacy as it relates to the solitude of gaming without Internet connection. In the front seat of a blue Toyota Sienna, the artist contains the laptop screen with a curved hand, both tenderly protecting a fleeting digital moment and completing a bodily cyclical narrative.

A quadruple-self-portrait examining the tenderness of conjured human intimacy as it relates to the solitude of gaming without Internet connection. In the front seat of a blue Toyota Sienna, the artist contains the laptop screen with a curved hand, both tenderly protecting a fleeting digital moment and completing a bodily cyclical narrative.

Marisha Lozada (b. 1994 in Scranton, PA) is a Brooklyn-based artist and writer. Since earning her BFA from the Rhode Island School of Design in 2016, she has exhibited in New York, Brooklyn, Philadelphia, Providence, and Italy. Selected projects include the 2018 Endless Editions Biennial, GIFC at Pilot Projects, Asia Art Archive in America’s inaugural year of Leadership Seminar, and the 2019 Every Woman Biennial in New York. Her writings are featured in Bluestockings Magazine and Clerestory Journal of the Arts, and her artwork is held in a number of private collections throughout the United States.

Collaborate, contact, and commission at: marishalozada@gmail.com

Full CV available upon request.

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